Wolf Designs Module 2.7 Double Watch Winder with Cover, Storage and Travel Case

Review

Wolf Designs Module 2.7 Double Watch Winder with Cover, Storage and Travel Case

Feature

• Backlit LCD display screen powers on when control knobs or chrome plate is touched Will stay illuminated for 10 seconds
• Rotation options- incrementally from 300-1200 turns per day The LCD screen provides a countdown of remaining rotations in daily cycle
• Watch cuff has been designed to accommodate larger, heavier watches and will "lock" into the winder drum for a secure fit
• Turns clockwise, counter-clockwise or bi-directional with the option to run the unit on 33V Adapter (included) or D-Cell batteries
• Storage for up to three additional watches and a removeable travel case for accessories and one watch storage

Wolf Designs Module 2.7 Double Watch Winder with Cover, Storage and Travel Case Description

Our story, the ‘Wolf Story,’ is something we take great pride in sharing. Not just because the business bears our family name, but also because this is our family. This is what the Wolf family has done for five generations.
BEGINNINGS ON FAIRY TALE ROAD
 
  The Wolf Designs legacy begins in 1834 in Hanau, Germany. Hanau is nestled in a picturesque valley, which is also a route to more developed areas of Germany, including Frankfurt. This path has come to be known as "Fairy Tale Road" for its old world beauty and elegance. Narrow streets, homes built of stone, and people of character were common features of Hanau. 

  It was in Hanau that Philip Wolf I, a silversmith by trade, began to produce leather-covered presentation cases for his silver products. His rationale was clear: it is only logical to protect one’s investment in fine silver by storing and safeguarding it in a fine quality case.

  Though he did not have a formal business education, Philip understood the concept of distinction from the competition. Presentation and storage cases for jewelry were not unique, however, covering the case in a rich leather was something that Philip I would be credited with inventing. The process of cutting and stitching leather panels together was a laborious task. The leather was fastened onto the frame and inspected with care to ensure that every piece met Philip’s high standards, possibly with the vision that these skills would be passed down through generations. 

INCREASING VALUE
  In 1836, Philip was selling more presentation and jewelry boxes than silver. This business continued to grow as many local silver- and goldsmiths discovered their products, too, held greater value when offered in a case made by Philip Wolf.

  Philip Wolf II was born in 1869. He would come to take over the family business, but only after years of apprenticeship. He lived and worked under the tutelage of his father, becoming a craftsman and perfectionist, as anything less was unacceptable to Philip I.

  By 1905, the Wolf family had immigrated to Malmö, Sweden. Visiting the region on holiday, Philip II met a beautiful woman. He decided he liked the country and chose to stay. 

SEEING IT THROUGH
If there were anyone who could personify the steadfast determination of the Wolf family, it would be a woman named Ida Wilhemina. Born of Swedish descent in 1889, she married Philip II in 1910. Ida was known for her extraordinary resourcefulness, courage, and drive to see her family and the family business persevere, even through difficult circumstances.

  In 1926, Philip Wolf II fell ill with a lung ailment, leaving him unable to work and support his family. Ida Wilhemina Wolf was faced with the prospect of watching the family business, and their sole means of support, dwindle away. She could not let this happen. After successfully taking over the management of the Wolf business, she also took on sales. Ida understood that Wolf Designs needed its customers and customers needed Wolf Designs, so she set off on the road.

  Though her means of transportation were vastly different from that of today’s sales representatives, the job she performed was not much different. Her primary methods of travel were horse-drawn cart and railroad car, stopping in each city, town, and village to sell Wolf Designs jewel cases. To conserve money she would stay in train stations, renting a blanket for 0.50 krona per night, and occasionally accept an invitation into the home of a customer.

THE FAMILY’S BUSINESS
 During this time, Mrs. Wolf looked to two young resources for assistance in managing the business: her sons Philip III and Ernst. They were both in their early teens when they began working full-time for the company. Though this was not unusual for young men of this time, it was unique that they were immediately placed in roles of significant responsibility.  Mrs. Wolf would be gone for up to three months at a time, carrying one suitcase for personal items and another for sample products. Once each week she would mail her purchase orders to the factory, where Production Manager Gerda Ridell would stand at the door awaiting their delivery.  One aspect of the business that Mrs. Wolf did not have to worry about was product quality. Her husband, Philip II, and his father were craftsmen without compromise. Other companies may have produced similar items, but by putting product innovation, quality and value at the forefront, Wolf Designs remained the market leader. 

FROM ‘SLOW AND STEADY’ TO ‘FAST FLOW’
Under the leadership of Mrs. Wolf, the business prospered and the reins were passed to Philip III in 1936, during a global depression. Due to the cautious nature of the Wolf family and Sweden’s neutrality during the War, the Company was able to export significant amounts of product and enjoy a stable home market throughout the Depression and World War II.

  Throughout his tenure, Philip III was determined to establish Wolf Designs as a benchmark for professionalism and sound business practices. He promptly introduced ‘fast-flow’ production methods, which dramatically improved manufacturing efficiency. The company was able to increase production, which in turn lowered prices without compromising quality. The results spoke for themselves, and these changes propelled the company to a level where it could now meet foreign as well as domestic demand. 

GROWING UP AND OUT
At the same time, Wolf Designs implemented new distribution and sales programs that were managed directly by the company. This also proved successful and resulted in phenomenal growth. In 1939, Philip III purchased a five-story building in the center of Malmö to handle the rapidly expanding operations. This building housed all aspects of the business: manufacturing, sales, distribution, administration, and 200 highly dedicated employees.

  The company remained in this building for more than twenty years, until the early 1960s. At that time, they moved to a new 80,000 square foot building, designed and built just for Wolf Designs to hold modern offices and a labor force expanding to more than 350 employees. This facility produced items for retailers and customers throughout Europe.  

A FAMILY WITH VISION, A COMPANY WITHHEART
Beyond Philip III’s business acumen, Wolf Designs became known as a company with a great social conscience, with programs to assist the company’s employees, community, and environment. Philip III frequently loaned money to staff members to help them buy houses. He knew that a comfortable and stable workforce would also be more loyal and productive.

  Philip III cared deeply about the environment. What started as a casual interest shortly blossomed into his lifelong dedication. By 1947, he had built the family business to such a stable position that he could venture to South America to volunteer his time, intellect, and energy to preserving the environment. He also gave speeches throughout Sweden to lobby the government against soil erosion, while still continuing to develop his family business.

  A family business, sometimes to its detriment, serves the purpose of employing the family. At age 25, Philip III’s son Vincent sold boxes throughout Europe. Sales didn’t always come easily for Vincent. A classical pianist and artist, he preferred to entertain his customers rather than sell to them. In 1965, after a string of sales calls that brought no sales, he tossed his samples into Lake Constance, on the border of Germany and Switzerland. If a Wolf Designs box is ever to be discarded, it is only proper that it be done in such a scenic lake, rich in history. Vincent subsequently left his family business to marry a pianist in Switzerland, where he still resides today.

  Despite Vincent’s sales strategies, Philip III had built a stable and profitable company that was well respected in the community and marketplace. He continued to grow the business in Sweden, but wanted to expand into Continental Europe, England, and ultimately North America.

  For this endeavor, Philip IV was given the edict to go to the UK and establish the business there. His brother Richard, a professional ballet dancer, stayed in Sweden with his father to run the parent company. With a deep-rooted tradition of design and steady growth, Philip IV was poised to take the company to the next level.  

FROM A SUITCASE TO SELFRIDGE’S
In 1961, Philip IV arrived in London armed only with a suitcase and samples. He immediately began visiting and selling to companies like Ronson and Timex. At the time, Ronson was the largest cigarette lighter manufacturer in the world. They had planned a launch for a new women’s lighter, and a Wolf Designs case would be the launch vehicle. The jewelry case business also flourished with clients like Harrods and Selfridge’s stores in London. The Company even had its own ‘store-within-a-store’ at Selfridge’s, staffed by Wolf Designs’ employees and with a large area devoted to its products. Customers marveled at the finely crafted leather-covered boxes.

 Once Philip IV had established Wolf Designs throughout the UK, the family decided to move there. In the spring of 1964, they moved into an office on highly fashionable Old Bond Street in London. The products were imported from the factory in Sweden and, due to their style and quality, were readily accepted.

WOLF DESIGNS TAKES OFF!
In 1968 the Company decided to set up a production facility in the UK. Philip IV selected a site in South Wales, well known for its factory buildings and the availability of its labor. The factory opened in the spring of 1968 and was an immediate success. Products were sold all over the UK as well as in some international markets. Often, Philip IV had to travel to the factory, which was 250 miles from the sales office in London. This caused problems and put a lot of pressure on him. Fortunately, or perhaps sometimes unfortunately, Philip obtained his pilot’s license and began to commute by air. Soon, clients were willing to join him, and many visits were made from the UK to the Swedish factory, as well as to France, Holland and other countries.

  To assist his frequent air travel, Philip IV purchased a Beechcraft Staggerwing D17S aircraft, often referred to as ‘The Learjet of the Thirties,’ with a cruising speed of 200 mph. Because of its distinctive shape—a biplane with its lower wing in front of its upper, and being a tail wheel aircraft—Philip and his passengers were sometimes mistaken for royalty!    

THE TRADITION CONTINUES
Under the wing of Philip IV, Wolf Designs continued to fly high. The winds were right for change and with the 1980s came a period of significant adjustment and transition. In May of 1980, while sitting at the kitchen table in the Wolf home in South London, Ida Wilhemina passed away from a heart attack. Her funeral was held in Malmö and attended by hundreds. In 1988, Simon Philip Wolf V left the UK at his father’s direction to open a US subsidiary in Chicago. He would labour for close to a decade to build the Wolf Designs brand in the North American market, finally succeeding in the mid 1990s when annual growth began to exceed seventy percent.

  In the midst of these significant corporate changes and the accompanying growth of Wolf Designs, Philip III followed Ida and passed away in 1992. If Ida was the heart of Wolf Designs through the 1930s, 40s and 50s, Philip III was the soul. He is fondly remembered for evolving Wolf Designs into a business that runs like a Swiss watch, while still caring for the environment and the people that are part of it.  

Philip IV and Simon Philip V, staying true to the company philosophy, built the North American division ‘one brick at a time’, meeting personally with leading retailers in markets all over North America and establishing relationships that will stand the test of time.

  In 2001, Wolf Designs US celebrated the achievement of a fantastic milestone; this was the first year in which the Company sold over one million leather-covered cases in North America. While this number is great, and our family is proud to have achieved this success, what matters most to all of us in the Wolf family are the incredible people we have had the good fortune to share our passion with, and will continue to for another 170 years.
All the best,
Philip I